This project maps the places where that war happened and where its traces remain. At every location, two moments coexist: what the cameras recorded between 1936 and 1939, and what remains now, recovered through reenactments, interviews, and the author's own return to the same ground.

The photographs ask a question that has no clean answer: what does it mean to reconstruct a moment that was already, at the time, a reconstruction? Gerda Taro staged her prisoners. Endre Ernő Friedmann arrived after the crossing. Both he and Taro published under the name Robert Capa. The reenactors dress in the uniforms of men who are gone. The question of what makes an image true runs through every frame in this archive.

This is not a finished record. It is a project in progress, built around the war's beginning in July 1936.